For We Are Many, August 9th - Sept 13th
Opening reception August 9th 5 - 7pmFor We Are Many, a solo exhibition by sculptor and illustrator Harry Malesovas (aka CHUM), invites viewers into a surreal world where grotesque whimsy meets raw vulnerability. Through his vividly expressive figures—like the flame-wielding blue creature standing triumphantly atop a devilish red head—Malesovas externalizes the chaos of depression, anxiety, and self-doubt. His sculptures are not only reflections of emotional states, but tools of catharsis—ways of navigating and transforming his mental health struggles into something tangible, humorous, and, ultimately, connective.
For years, Malesovas battled silently, believing his suffering was uniquely his own. It wasn’t until entering therapy as a young adult that he began to feel seen. That moment of validation—of realizing he was not alone—became a turning point. Through this body of work, he channels that discovery, using humor and horror to strip away stigma and show how creativity can transmute pain into presence, and isolation into shared experience.
Harry Malesovas is a sculpture and painter born in California and raised in North Carolina. Malesovas received his BFA with a focus in ceramics from the University of North Carolina, Asheville, during which he was recognized by NCECA with an Undergraduate Award for Excellence . After he graduated he pursued a Post-Bach with his Alma Mater. Following this he moved to Minneapolis to complete a residency with the Northern Clay Center where he continues to live and work.
GHOSTS IN THE GARDEN
June 14th - July 19th, 2025
GHOSTS IN THE GARDEN: The Enduring Edge of Bill Brand and Katy Martin
In an art world that often idolizes the new and now, two veteran artists — Bill Brand and Katy Martin — stand as vibrant exceptions. With five decades of creative practice behind them, they continue to evolve, innovate, and inspire. Their work, rooted in deep expertise, remains as relevant and cutting-edge today as ever.
Bill Brand: Animation as Experiment and Inquiry
Bill Brand is a filmmaker and animator whose career bridges experimental cinema, media installation, and public art. Known for pushing the limits of motion, time, and narrative, Brand’s films are not just seen — they are experienced. His signature work MASSTRANSISCOPE, a zoetrope installed in a New York City subway tunnel, turns urban commuting into a flickering, surreal ride through animated space.
In 2016, Brand began painting with ink and xuan paper, traditional Chinese materials, at an artist residency in Shanghai. Eventually applying these techniques to watercolor and acrylic paintings.
What keeps Brand’s work so fresh is his ability to remain curious. Even after decades, he continues to engage audiences. Whether through analog film or digital media, Brand maintains a poetic and inquisitive sensibility that resonates across generations.
Katy Martin: Painting in the Digital Era
Katy Martin is a mixed media artist whose work blends the tactile intimacy of painting with the immediacy of photography. Her process is physical, performative, and open to chance — paint becomes a language, and the body becomes a brush. She often photographs herself in motion, interacting with paint-covered surfaces, creating layered images that challenge the boundaries between gesture and image, subject and object.
Martin’s engagement with contemporary visual culture — especially its hybrid forms — keeps her work compelling. She embraces both physical materials and digital tools, reflecting a sensibility that speaks to younger artists while remaining rooted in an embodied, painterly tradition.
Fresh by Nature, Not by Trend
What makes Brand and Martin remarkable is not just their longevity — it’s their refusal to settle. Their work remains fresh not because they chase trends, but because they stay attuned to their own evolving curiosities. They collaborate, experiment, and take risks. And in doing so, they demonstrate that staying “hip” isn’t about age — it’s about engagement.
Together and separately, they embody what it means to be lifelong artists: open to change, driven by passion, and committed to making work that matters.
PREVIEW THE COLLECTION ︎︎
PINK SOLDIERS
May 3rd - June 7th, 2025
Court Tree Collective is proud to present “Pink Soldiers”, a solo exhibition by ceramic artist Isolina Minjeong. Electric fusions of ancient funerary sculptures, Minjeong’s ceramic world examines cultural hybridity through craft. Life-size figures are adorned with weapons and talismans, accompanied by wild beasts guiding both her soldiers and the living through the unknown. Shameless in scale and rich in symbolism, these figures honor the ancient lineage of Korean and Peruvian stone carving. Dancing between clays, pop art, manga, and bootleg toy design, her army embodies the courageous spirit of the past and present.
︎PREVIEW THE TOY COLLECTION ︎
︎PREVIEW THE SCULPTURE COLLECTION ︎
︎PREVIEW THE EXHIBITION ︎
